Works

Kensaku Kakimoto

Photographer, Director, Cinematographer

Kensaku Kakimoto is a director and cinematographer working across a wide range of visual media, including films, television series, television commercials, and music videos. Alongside his work in motion pictures, he is also active as a photographer, creating advertising imagery and artist portraits. In his film work, he is known for capturing subtle shifts in human emotion, creating visual narratives that establish tone and the passage of time through carefully composed imagery. In his photography, he explores new perspectives on time and perception.

柿本ケンサク

写真家, 監督, 撮影監督

監督、映像監督として映画、ドラマ、テレビコマーシャル、ミュージックビデオなど多くの映像作品を手がけるとともに、広告写真やアーティストポートレートなど写真家としても活動。映像作品では、被写体や人物の内面にある熱量や繊細な感情の揺らぎを丁寧に引き出す演出を得意とし、空気感や時間の流れまでを感じさせるスケール感のある映像世界を描き出す。一方、写真作品では、目の前に広がる世界から新たな視点を見出し、「時間」をテーマに制作を行っている。

Taku Kobayashi

Cinematographer

Taku Kobayashi began his career as a camera assistant after training at Sanwa Cine Equipment Rental Co., Ltd., gaining experience across a wide range of productions including films, television commercials, and music videos. In 2019, he began working independently as a cinematographer. He primarily works on films and television series, creating visual narratives through carefully considered composition and lighting. While maintaining a strong sense of realism in his work, he also explores imaginative and stylized visual worlds. Working in close collaboration with the camera department, special equipment teams, DIT, laboratories, and technical crews, he continues to pursue new possibilities in cinematic expression.

小林拓

撮影監督

三和映材社での研修を経て撮影助手としてキャリアをスタートし、映画、テレビコマーシャル、ミュージックビデオなど多岐にわたる映像作品に参加して経験を積んだ後、2019年に撮影技師として独立。映画やドラマの撮影を中心に活動し、構図やライティングを通して物語を映像として立ち上げるストーリーテリングを得意とする。作品に宿るリアリティを大切にしながら、アンリアルで創造性のある世界観の表現にも積極的に取り組んでいる。撮影部をはじめ特機、DIT、ラボ、機材スタッフなど多くの協働の中で、新たな映像表現を探求している。

Nozomi Sana

Editor

Nozomi Sana is an editor specializing in offline editing while also handling online work using After Effects. Combining technical precision with a strong sense of visual expression, he is known for editing that makes effective use of motion and for contributing to the overall editing direction of projects.Working across a wide range of visual styles, he focuses on shaping the rhythm and flow of each project, crafting edits that respond closely to the character of the work.

佐名希望

編集者

オフライン編集を中心に、After Effectsを用いたオンライン作業まで手がけ、幅広い技術と表現手法を兼ね備える。特にモーションを活かした編集を得意とし、編集ディレクションも担当する。
多様な映像表現に対応しながら、作品に応じたリズムや流れを大切にした編集を追求している。

Fujimaru Totsuka

Director

Fujimaru Totsuka began his career as an assistant director on films, television commercials, and music videos before becoming an independent director. He is known for direction that draws out natural and expressive performances, balancing emotional nuance with moments of humor, along with a flair for dramatic visual storytelling.

戸塚富士丸

監督

映画、テレビコマーシャル、ミュージックビデオなどの助監督を経てフリーの映像監督として活動。自然で豊かな人物の表情や芝居を、繊細さやユーモアを交えて引き出す演出と、ドラマチックな映像表現を得意とする。

Sou Tony Naoi

DIT

Sou Tony Naoi began his career as a video engineer assistant, studying under Yuji Takai. Noticing a disconnect between how the role of DIT is understood in Japan and internationally, he moved to the United States, where he learned global standards of on set production in Los Angeles. After returning to Japan, he co-founded a DIT company and has since worked primarily on television commercials and international productions. He is also involved in Japanese feature films, working to achieve internationally competitive production quality through improvements to working environments and production systems.

直井聡

DIT

高井祐二氏に師事し、VEアシスタントとしてキャリアをスタート。
その後、日本国内におけるDITという役割の認識と海外との意識のギャップを感じ渡米し、ロサンゼルスにて世界水準の映像制作を現場で学ぶ。帰国後、DITの会社を共同で立ち上げ、主にテレビコマーシャルや海外作品のDITを担当している。
国内長編作品においても、労働環境や制作体制の改善を通して国外に匹敵するクオリティの実現を目指して活動している。

Issey Muraoka

Cinematographer

Issey Muraoka began working in the camera department under Tomoyuki Kawakami in 2021, later serving as chief assistant camera before becoming independent. He has worked across a wide range of productions including television commercials, music videos, films, and television series. Known for his energetic camera work, he continues to pursue new visual possibilities through cinematography.

村岡一誠

撮影監督

2021年、川上智之氏に師事し撮影部チーフを経て独立。
テレビコマーシャル、ミュージックビデオ、映画、ドラマなど多岐にわたる映像作品に携わる。エネルギッシュなカメラワークを得意とし、新たな表現の可能性を追求している。

Tetsu Moritera

Lighting Director

Tetsu Moritera began his career as a lighting assistant in 2002, working under Koji Furuyama and Katsumi Imai. After becoming independent in 2008, he has worked as a lighting director across a wide range of productions including films, television dramas, television commercials, and music videos, while also working on projects in the fashion industry.